Tag Archives: Poly Bernatene

When We Go Camping/ Skyfishing


Who is the narrator of this lively celebration of family camping? Could it be one of the children? A parent? Or perhaps, the eponymous dog that gets into each and every scene? I doubt it’s one of the grandparents; all they seem to do is sit around or participate in some form of spectator sport, with the odd pause for a spot of insect swatting on occasion.
Meanwhile, other family members make friends, play, cook, fish, swim, shiver thereafter: beg your pardon Gramps: there you are boiling up the billy can for a warm-up drink for the chilly swimmers.

Naturally taking a pee involves a bit of inconvenience and perhaps it might be advisable to take a clothes peg along.

Perhaps the highlight of the day is a spot of ‘Hummetty strummetty squeak-io’ singing around the fire before finally repairing to the tent for some dream-filled slumbers.
Sally Sutton’s rhythmic, rhyming narrative is irresistible, especially so those playful refrains that accompany every scenario so beautifully portrayed in Cat Chapman’s watercolours: there’s a ‘Smacketty tappetty bopp-io‘; a ‘Zippetty zappetty flopp-io’ and a ‘Snuffletty wuffletty roar-io’ to name a few: I’ll leave readers to guess what actions they orchestrate.
My memories of camping are of endeavouring to bash pegs into sloping, rock-hard ground, lumpy porridge and noisy sleep-intruding voices in the night. This book in contrast makes the whole experience – well maybe not the loo visits or the odd trip-up – a pleasure, full of simple, fun-filled delight.

Skyfishing
Gideon Sterer and Poly Bernatene
Abrams Books for Young Readers
The young girl narrator’s grandfather loves to fish; so when he moves from his rural idyll to live in the big city with his family, he greatly misses his passion. The child is determined to find a way to engage him, but through autumn and winter, nothing catches his interest.
Come spring, the girl has an inspiration: she initiates a game of ‘let’s pretend’ fishing over the balcony edge and …

The possibilities escalate until they cast their lines deep into the rumbling tumbling ‘ocean’ below: an ocean full of wonderful adventures to last for months and months …

As the narrative unfolds, Bernatene’s vibrant, whimsical paintings show the chaotic city transformed into an ocean teeming with amazing sea creatures.
A warm-hearted story of the special relationship between the young and old, and the power of the imagination.

I’ve signed the charter  

Pattan’s Pumpkin / Prince Ribbit

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Pattan’s Pumpkin
Chitra Soundar and Frané Lessac
Otter-Barry Books
Subtitled ‘An India Flood Story’ it seemed highly appropriate to be opening the parcel containing this book on the day of my return from a trip to India during a very wet monsoon season. Essentially it is a retelling of a tale from the Irular tribe of the southern state of Kerala. It relates how a man called Pattan finds and nurtures an ailing plant …

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until it grows and thrives becoming an enormous pumpkin (a bottle gourd in the original). One day Pattan awakes to a furious storm raging outside his hut and so worried is he about the fate of the animals and plants that he lays awake all the next night: he knows he and his wife must leave their mountain home but how can they take so many creatures with them? Looking out through his window he sees the pumpkin lit up by lightning and an idea strikes him. Next morning he grabs his axe and sets to work on the pumpkin, hollowing it from within.

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Eventually all is ready and having rolled down the mountain with animals and humans inside, the pumpkin sails off on the rushing river. Having sailed for many nights and days, the pumpkin and contents reach the plains and out come Pattan, his wife, Kanni, and all the animals safe and ready to continue their lives …
Frané Lessac’s naïve style illustrations are a kaleidoscope of colour and the playful expressions of the animals inject humour into the straightforward, direct narrative. A must for primary classrooms; why not try sharing it around harvest time.

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Prince Ribbit
Jonathan Emmett and Poly Bernatene
Macmillan Children’s Books
The author/artist team in this funny picture book put a fresh spin on the traditional Frog Prince fairy tale. The frog herein is a cunning fellow who happens to overhear a conversation between Princess Martha and her sisters. Arabella and Lucinda who have just read the story of the Princess and the Frog. The latter two are romantic tale enthusiasts whereas Martha prefers facts and real frogs to fairy tales and what’s more she’s heard a real frog croaking in the royal pool.
Now all the while, a clever little frog has been listening to the princesses discussing fairy tales, in particular those featuring princes; indeed a princely kind of life-style has great appeal for him, and this gives him an idea. The thing is he needs to convince those princesses that he is indeed Prince Ribbit and then maybe, he’ll come in for some right royal treatment. He’s certainly pretty determined but Princess Martha is going to take a lot of convincing …

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The others however are ready to indulge …

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So who is right? There’s one point that all parties make use of, including Prince Ribbit but can the answer really lie in one of those books …

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Or is there another, more practical way to find out for sure: “True Love’s Kiss” no less.
Author Jonathan Emmett and illustrator Polly Bernatene bring their own brands of magic to this spin on the classic Frog Prince fairy tale. The illustrations are vibrant, funny and full of dotty details. Young audiences will delight in spotting all the visitors from other classic tales in this scene …

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Emmett’s telling is also full of fun and I particularly like the use of “Just because it’s in a book, it doesn’t mean it’s true.” by the various characters. Wise words indeed.

Tinies and Monsters

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Very Little Red Riding Hood
Teresa Heapy and Sue Heap
David Fickling Books
With Red Teddy in hand and blanket, tea-set and a box of cakes safely stowed in her pull along bag, Very Little Red Riding Hood sets out to her Grandmama’s for a sleepover. Before long, what should she meet but a Wolf. “A Foxie!” she cries in delight giving him a big hug. More than a little put out at her lack of fear and her refusal to give him a cake, the Wolf suggests gathering a bouquet for Grandmama. Red – insists our feisty young heroine, inviting ‘Foxie’ to a game of chase all the way to Grandmama’s and a ‘cuppatea’ when they get there. But is this a step too far? Well, there’s a rib-tickling ending but if you want to find out what happens, then get your hands on this sweetly funny variation of the traditional story.
With her toddler talk and winning smile, Very Little Red Riding Hood is an absolute charmer.

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Rosa and Nina sharing Little Red’s exploits

The end papers show the route she took to her Grandmama’s house but also a number of other homes occupied by ‘Very Little’ fairy tale characters. Is this then the start of a series? I do hope so. Certainly this first time collaboration between Heapy and Heap is a whole heap of fun.
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The Tiny King
Taro Miura
Walker Books
In a castle far away lived a king. But the castle was very, very big and the king was a very, very Tiny King. The Tiny King had a big army and a big, big table for his meals but delicious food isn’t much fun if you’re all alone. It’s a good thing then, that the Tiny King fell head over heels in love with a princess, albeit a Big Princess and she agreed to be his wife. Before long, the Tiny King and the Big Queen had lots of children and what seemed like a very big castle for one Tiny King now felt just right with ten children playing and laughing the whole day.
Of course, big families mean lots of sharing: sharing meals, sharing the space on the big white horse’s back and sharing a riotous bath time; and what comes of sharing? Happiness; certainly that’s so in the case of the Tiny King.
Japanese artist and author, Taro Muira uses precision, patterned cut-outs in bold, bright colours and white, to construct simple shaped collage scenes, which stand out dramatically against flat black backgrounds. These scenes remind me of scenes from young children’s small world and construction play.

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Told in a straightforward manner, this simple neo fairy tale is a delight to share with under fives.
(Quite apart from the story, there is a wealth of learning opportunities here: talking about sharing, counting, identifying shapes, mathematical language and concepts relating to size, pattern making, block play, collage and small world castle play.)
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Upside Down Babies
Jeanne Willis and Adrian Reynolds
Andersen Press
There is a lovely twist at the end of this funny rhyming tale of a world turned upside down when ‘the earth went blue and the sky went brown.’ On this fateful topsy-turvy day, all the baby animals find themselves with the wrong mothers. What is Mummy Camel to do when confronted with a baby Polar Bear in the middle of the desert and baby Rooster’s dawn greeting of “Cock-a doodle-dee” definitely does not go down well with a sleepy Mummy Owl trying to get some shut eye in her tree.
With its bold, bright, wonderfully expressive pictures of the consternation all round, and a text that trips off the tongue, this is one to share  with the under sixes and will prompt many an encore to the huge enjoyment of readers and listeners alike.
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Enormouse
Angie Morgan
Frances Lincoln Children’s Books
Enormouse was big; much, much bigger than all the other mice in Mouse House. But being big had its advantages. Enormouse could lift REALLY heavy cheese, reach high up things and give lifts to tired-legged little mice. One day while out exploring he and his best friend Tinymouse find a large book with pictures of furry animals. That’s when Tinymouse concludes that his pal is actually A RAT. How the other mice laugh at poor Enormouse. Off he goes to find a new home with the rats but, what a shock he gets on arriving at ‘Rats’ House’; there’s mess everywhere. His offer to clean up is laughed at and once again Enormouse feels at odds with his housemates. In the meantime, his mouse friends have seen the error of their ways and set off in the hope of bringing their absent friend back home. But it’s now dark and they don’t know where to go…
From the mouse photo portrait endpapers, every turn of the page brings much to talk about and explore in the mixed media illustrations. The squalor of the rats’ house is truly disgusting with the grubby rodents lolling amongst half eaten fruit, discarded chips, over-turned cans, fish bones, filth and flies. You can almost smell the pong.

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Rosa couldn’t resist coming to see what we were so disgusted at.

The story too offers plenty of food for thought with its themes of not judging by appearances, self-belief, friendship and finding ones place in the world.
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Here Be Monsters
Jonathan Emmett and Poly Bernatene
Macmillan Children’s Books
With the fiercest pirate crew and the fastest pirate ship, fearless Captain Cut-Throat is the meanest pirate to sail the seas. So, when he hears of an island strewn with giant gemstones he is determined to set sail straight away. His crew members though are far from happy; monsters are hiding in the mist, so the legend tells. At first all goes well but then they reach the MIST from which emanates all manner of alarming sounds. “Sail on!” commands the Captain and they do – into the swirling white. ‘ “Here be monsters!” cried the lookout…
‘ “Nonsense!” growled the Captain. “Monsters simply don’t exist.” ‘

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And so he maintains, heading on, unaware of the diminishing crew numbers, until an island comes into view. Once ashore, the penny finally drops but undaunted, the greedy Captain has his mind only on those giant jewels littering the shore. Oh foolish one!
Emmett’s riotous rollicking rhyme rattles along apace and when read aloud, it will have delighted audiences joining in with the repeated refrain of the fearless captain, as they see what he does not – his crew disappearing one by one.
Poly Bernatene draws his inspiration for the dastardly crew from the less attractive members of the animal kingdom with crow, rat, crocodile and blue-bottomed baboon all featuring. The almost filmic quality of his arresting illustrations adds to the dramatic impact of the story.
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